Friday, September 28, 2012

The Greatest Knockouts of the 1950s




Many of my regular readers will recall my constant referencing of the "Golden Age of Boxing" and wonder just how good a sport could have been thirty, forty or even fifty years ago. There were no readily available performance enhancing drugs, cardiovascular training methods were archaic, and strength and conditioning didn't exist. Boxing unlike every other sport in the world, has not gone forward in leaps and bounds technically since 50 years ago. In fact it's interesting to note that Floyd Mayweather, considered one of the best fighters pound for pound and the best defensive fighter on the planet, is called a "throw back" due to his old school fighting style that confounds today's square on, combination spamming fighter.

From the 1890s to the 1960s boxing was the world's favourite sporting event and almost every healthy young man strapped on the gloves at some point. Whether it be the gentleman's clubs of London who wagered on and negotiated the bouts, or the young men with no saleable skills aside from their punch, boxing was practised and speculated by a huge portion of society. Due to the huge pool of fighters and the regularity with which they fought, defensive genius came to be of paramount importance. Watch a fighter such as Archie Moore who fought 219 recorded professional fights, then watch a man such as Ricky Hatton and you'll notice that a man who fights a couple of times a year until the age of 30 never has to correct the errors in his dangerous, self sacrificing style. When you fight as often Archie Moore or his contemporaries did, safety and career longevity become of great importance. Consequently there were a great many knockout artists, counter punchers and defensive geniuses around in the 1950s who deserve the attention of the combat sports student today.

Today I have teamed up with our fantastic media man, Zombie Prophet, to examine and comment on some of the high quality gifs he has assembled from the 1950s boxing archives. This is part one of a two part series on the 1950s and if it goes well we hope to do other decades as well so do let us know what you think!

Archie Moore versus Yvon Durelle - 1959
Our first knockout comes courtesy of the aforementioned Archie Moore. Affectionately nicknamed "The Old Mongoose" in his time, Moore became the world light heavyweight champion in 1952 at the age of 36, and ruled until 1962 when he abandoned the title. Moore had met the Canadian, Yvon Durelle in 1958 and had been floored 4 times in the opening rounds before coming back to knock Durelle out in the tenth round, showing the heart of a true champion. In 1959 at age 43, Moore defended his title again in a hotly anticipated rematch against "The Fighting Fisherman".



This is the last of four knockdowns and demonstrates Moore's wiliness in action. Almost every other fighter would be swarming on Durelle and swinging at his head - instead Moore performs an inside slip, towards Durelle's powerful right hand (a signature of Moore) and delivers a ripping left uppercut to the Canadian's body. They pivot around and Moore dispatches his winded foe with a few good punches to the head to put him on his knees for the count.



Floyd Patterson versus Archie Moore - 1956When Rocky Marciano retired as the undefeated heavyweight champion of the world it was decided that Patterson and Moore were the most deserving contenders. In a true match of experience versus youth as Patterson was just 21 years of age. Patterson was the charge of Cus D'amato who many of you will remember was Mike Tyson's adoptive father and trainer, and as such fought with what the newspapers dubbed a "peek-a-boo" style.



Many great classical style boxers - those who enjoy using the right hand to parry jabs in order to economize on footwork - have proven susceptible to a leaping left hook behind their right hand which is often forward of their chin and ready to parry jabs. Joe Louis was dropped by numerous opponents who shouldn't have given him any trouble with surprise left hooks, and here Archie Moore meets Floyd Patterson's money punch. Patterson's left hook from the deep crouch has been called the "Kangaroo Punch" or more commonly "The Gazelle Punch" and despite the similarities in training that he and Mike Tyson underwent, Tyson's leaping left hook never really captured the distance or grace of Patterson's. Patterson finishes the fight with the hand speed that he was known for. Before the emergence of Cassius Clay (later Muhammad Ali), Patterson was considered the fastest punching heavyweight ever and he certainly carried a power that Ali never rivalled.

Floyd Patterson versus Pete Rademacher - 1957
Pete Rademacher is an interesting case as he is the only man in boxing history to be given a title fight in his professional debut. A sterling amateur record and an olympic gold medal did support Rademacher's case for a title shot, and he certainly backed it up when he dropped Patterson several times in the opening rounds. Patterson rallied soon after however and put Rademacher down for the count in the sixth round.



Though Patterson was known for his left hook he was also a powerful right handed puncher and it was this tool that he used to fell Rademacher. Notice that Patterson clips Rademacher twice with right hooks as he is exiting the pocket. In fact the first right hand is thrown as Rademacher is pushing Patterson away.

Jersey Joe Walcott versus Ezzard Charles - 1951
You've probably all read my gushings over this punch and Jersey Joe before, but this is one of the finest fight finishers I have seen to this day and I don't anticipate there being many better before I'm gone. Jersey Joe Walcott is possibly the savviest fighter in boxing; impoverished for much of his career, feeding a family by working menial jobs and still having time to floor men like Joe Louis and Rocky Marciano in his evenings, Walcott is an inspiration figure and a hypnotic fighter. Ezzard Charles is perhaps the greatest light heavyweight of all time and fought many of the greatest fighters of his era and in fact ever - Walcott, Louis, Marciano.



This bout was finished with a beautiful inside slip past Charles' excellent and dangerous jab, followed by a lead uppercut / hook hybrid that caught Charles at the perfect angle as he dipped into this. The best thing about this punch? Ezzard Charles did everything right - his right hand is up, his lead shoulder is high and he doesn't telegraph the jab at all. The inside slip is fairly offbeat and the inside slip to lead uppercut counter is especially rare because it is a difficult slip followed by an awkward, short punch. The fact that Walcott did this so nonchalantly against one of the greatest technical boxers who ever lived and who had already bested Walcott twice is a credit to how bizarre Walcott's style was. I break down this counter in detail in my book, Advanced Striking.

Monday, September 24, 2012

Your Favourite MIDNIGHT MADNESS Moments!


Maniacs gathering for the Madness!
The Line of Madness!


Can you believe that we're just slightly over a week after the whirlwind of the Toronto International Film Festival and, of course, Midnight Madness 2012.  If you're anything like me, you've been getting way too much sleep (over 3 hours? Whaaaaa?), catching up on Homeland, and not watching three or more movies a day, which has given me time to reflect back on those crazy ten days and my favourite moments from TIFF.

Our fantastic Midnight Madness audience has been doing the same thing on Twitter and Facebook, and we wanted to share some of those with you! (additional photos by Ian Goring)








Turns out that Godwin's Law applies at the Ryerson 

Who was that, I wonder?
Oh.



Remember, if you've got any favourite moments and memories to add, tweet them to us using the #mmadnesstiff hashtag or post them up in the Midnight Madness Facebook group

By the way, if you want to keep the Midnight Madness party going for a little longer, don't forget to check out Programmer Colin Geddes' exhibit at Scotiabank Nuit Blanche this year! If this piece doesn't satisfy your cravings for zombie kills, nothing will!

Saturday, September 22, 2012

Jon Jones' Toolbox: Spinning Elbows










UFC light heavyweight champion Jon Jones meets Vitor Belfort on September 22nd in an unlikely title bout and even before the fight begins it is fairly safe to assume that at least one standing elbow strike will be attempted by Jones in the course of the match. Jon Jones has cut out a niche for himself in MMA by using standing elbows with a frequency and efficacy that has yet to be matched. While Jones has numerous natural advantages - the 84" reach that he sports means that Jones' elbows may be connected when his opponent is entering their own punching range - none of these would matter if he simply went out and threw elbows at random. Jones' set ups are excellent and they're definitely worth closer analysis ahead of UFC 152.

Today we will focus exclusively on Jones' infamous spinning elbow strikes. Jones typically lands these one of two ways:

- Clinching against the Fence

- Faking the Single Leg Takedown




Clinching against the Fence
Jon Jones doesn't throw the spinning elbow at random for the simple reason that it is difficult to land correctly and if the opponent is stepping in towards him it pretty much gifts the opponent Jones' back. An excellent example of this came in the first round of Jones' bout with Mauricio Rua as the latter was lumbering towards Jones. Jones threw the spinning elbow as Rua plodded forward but missed and gave the injured Brazilian back control. Fortunately Rua's wrestling was not a huge threat to Jones, and instead the champion attempted to drop for a heel hook, giving Jones top position. Notice below how Jones' elbow flies past Rua's head and Jones' shoulder is the only point that contacts Rua with a soft thud.



The actual striking surface on a spinning back elbow is actually remarkably small, unlike Jones' elbows from guard in which if he misses with his elbow the rigid bone of his forearm still does ample damage, if Jones misses the spinning elbow he only connects with the triceps or shoulder. When this is the case very little damage is done for such a high risk manoeuvre. For all the talk of how Jones' enormous reach allows him to take risks without fear of repercussions, Jon Jones' spinning back elbow essentially gives his opponent's their only chance to get in range when he fails to land it correctly and he still uses it in most of his fights.

The variation with which we are now all most familiar is Jones' spinning elbow along the fence. This has proven to be the most reliable scenario from which Jones can place himself in position to spin as safely as possible and line up his target to connect with the point of his elbow. Below is the standard Jon Jones set up for his spinning back elbow. (G)




Notice that Jones has Rua pressed against the fence with his head to the left and keeps control of Rua's right elbow. Every time Jones clinches an opponent along the fence, he frees one arm so that he can spin while using his other hand to drive the opponents head back from underneath their chin. If an opponent holds an overhook or an underhook on either of Jones' arms he is not free to spin - consequently this technique doesn't mesh as well with Jones' takedown game as it appears. If both of Jones' hands are free and he is still pushing his opponent into the fence, a spinning elbow is pretty much assured.

You will also notice the unique position Jones has to assume before he spins - Jones brings his right leg across in front of himself. In every spinning or turning technique, finding ways to shorten the spin by bringing your pivot leg across yourself while distracting your opponent is vital to improving the likelihood of success. Jones' use of the clinch - a position in which he is famed for his wrestling - to conceal the preliminary movements or his turning strikes is a wonderful strategic turn and shows that Jones is willing to give up the prospect of a takedown to inflict one shot damage.



Here it is from another angle - notice how Jones doesn't spin on spot but rather steps far across himself so that he is turning almost next to Rua rather than spinning on spot, allowing him to connect with the point of his elbow. Notice also Jones' familiar grip on his opponent's chin. When we examine Jones' ground and pound we will talk in great depth about this. Jones is also routinely warned (most notably by Herb Dean against Brandon Vera and Shogun) for digging his thumb into the sternal notch and windpipe when using this control.

The main defence to spinning techniques is to move either straight backward or in the same direction as the spin,Jones has removed the two effective evasions by pushing his opponents onto the fence and by ensuring that he ends up almost next to them on the side that they would have to circle to.

Wednesday, September 19, 2012

Pics From The Premiere of THE ABC'S OF DEATH!

Friday night was the equivalent of a marathon as the Midnight Madness audience was subjected to an unprecedented 26 films about death in The ABC's Of Death!  Ian Goring captured all the mayhem at what had to have been one of the most fun experiences in the Midnight lineup this year!

Midnight Madness fans about to learn their ABC's all over again

An absolutely titanic line-up of directing talent!




"MAT" spells producers Marc Walkow, Ant Timpson,  Tim League with MM Programmer, Colin Geddes.

Kaare Andrews

The ABCs of Death co-producer Todd Brown interviewed by Robert Mitchell

'U' is for Unexplained Levitation

The dynamic duo, Adam Wingard and Simon Barrett!

Marcel Sarmiento

'R' is for 'RUINING THE RED CARPET BACKDROP AT THE RYERSON'

Ahhhh! Yoshihiro Nishimura!

Well this can't possibly end well...

Sometimes it sucks to be right.



Colin Geddes or Jay-Z? It's almost impossible to tell!

Talk about an entrance!
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