There's humor here, and wit, and economy in every sense of the word -- it's hard to think of a needless shot or beat in The Raid, and it packs more action into a small number of sets in a limited location than Michael Bay can into an entire galaxy, or than Jason Statham can in all his globetrotting Transporting --but there's also back-breaking blows and six-minute long fights that clearly took two days to shoot and bad guys' heads being bounced off of a tile wall 8 times in a second and good guys getting atomized by punk kids who laugh as they pull the trigger.
The Raid is the first Indonesian film to play Midnight Madness and we at the Midnight Madness blog are pretty excited about it the promise of a straight up, asskicking action film. And since I'm sure you've already got your tickets and have a little time to kill, it seems like a good time to try and scratch the surface of Indonesian cult cinema.
H. Tjut Djalil is probably the Indonesian director most familiar to cult cinema fans. He directed 15 movies between 1974 and 1995. What drugs were to so many Hollywood movies in the 1980s, black magic is to H. Tjut Djalil's movies of the same time. Black magic, just don't do it.
Lady Terminator / Pembalasan Ratu Pantai Selatan (1989) is probably his most famous film among cult cinema fans. It stars Barbara Constable as an anthropology student possessed by ancient spirit determined to fulfill a curse and take revenge. The film mixes sorcery, the Queen of the South Seas, and James Cameron's The Terminator making it a lot of fun if you like ancient evils, explosions and ladies of evil agency. (Teleport City has an essay I can't improve on, here).
ButMystics of Bali / Leyak / Mystik is my favorite Djalil movie, mostly because I have a degree in anthropology and a fondness for hantu penanggal / penanggalan, i.e., flying vampire heads. I don't think it's a spoiler so much as a draw to say that Mystics in Bali features both, played by Ilona Agathe Bastian. She wants to become a léak, a Balinese practitioner of black magic, and goes into the forest to study with a léak guru, played fantastically by Sofia W.D. As a former anthropology student, let me say that this is exactly what would happen. We just can't help ourselves. Eventually, the léak gains control of the young woman at night and a head goes flying. Remember kids, black magic is no good. Sure, it seems cool, but it will ruin your life.
This is your head on black magic.
H. Tjut Djalil also directed Jaka Sembang and Bergola Ijo / Jaka Sembang dan Bergola Ijo, the 1985 follow-up to the Barry Prima vehicle, Jaka Sembang. Which brings me to a legend of Indonesian cinema, Barry Prima.
Barry Prima will put an end to your Colonial and black magic shenanigans.
Born "Humbertus Knoch," Barry Prima was the son of a Dutch father and Indonesian mother. Prima was trained in Taekwondo and appeared in many Indonesian movies in the 1980s. Prima frequently stands up for the oppressed in his movies, using his Taekwondo skills to right wrongs--until black magic enters the mix. But even then, it's rarely enough to overcome his own mystic power.
Prima also played Tarzan in a few films and was in several series. But cult cinema fans probably best know him from Jaka Sembung / The Warrior (1981), directed by Sisworo Gautama Putra, and its sequels, Si Buta Lawan Jaka Sembung, Jaka Sembung dan Ijo Bergoli and Jaka Sembung and the Ocean Goddess / Jaka Sembung dan Dewi Samudra. (Sibuta the blind swordsman has his own series of films as well).
In Jaka Sembung, using all the power of his virtue and martial arts training Barry Prima resists Dutch colonial oppression so well that the Dutch team up with sorceror Ki Hitam to destroy him. But first they must reunite Ki Hitam's head and body. (The Dutch are played with some peculiarly satisfying Dutch-face).
Shudder before the might of Dutch Colonial authority!
The important thing to know is that his movies feature a unique combination of martial arts asskickery and mindblowing mystical fights and transformations. One minute Barry Prima is kicking someone's ass, the next minute the guy is breathing fire at him.One moment, he's blind, the next he's a pig.
Prima worked steadily in the 80s and into the mid-90s before leaving the screen for about 10 years. He returned in 2005 with Joko Anwar's Joni's Promise/ Taxi Driver / Janji Joni, and has been working regularly, though not as intensively, since in movies like Upi Avianto's Reality, Love and Rock'n'Roll / Realita, Cinta dan Rock'n'Roll where he plays a trans mother and famously chases down a pickpocket.
Suzzanna challenges you to a staring contest.
According to the IMDb, Suzzanna made her first film in 1950 and her last film, Hantu Ambulance / Ambulance Ghost / Widya, in 2008 and, sadly, passed away the same year. But her career really took off in the 1980s, when she became the Queen of Indonesian horror through the films of Sisworo Gautama Putra. Where scream queens are often final girls, Suzzanna is has more in common with Ingrid Pitt or Christopher Lee than Jamie Lee Curtis. In fact, when the Indonesian take on Nightmare on Elm Street was made, Suzzanna wore the glove.
One, two, Suzzanna's coming for you...
With her powerful stare and intense presence, Suzzanna's career picked up in the 1980s in several series of films with more eeriness than gore, but still mixing martial arts action with mystic power. Where Barry Prima often represented power (sakti) controlled by discipline and virtue, Suzzanna frequently plays characters, whether as a Snake Queen or a wronged woman who learns black magic or a Ghost with Hole in her stomach, whose power is undisciplined and ruled by emotion, often a justifiable desire for revenge.
She faced off against Barry Prima in several films. In fact, his second film was her Nyi Blorong / Nyi Roro Kidul in which a man sacrifices his wife and son to the Snake Queen/Queen of the South Seas in exchange for wealth. Played by Suzzanna, Nyi demands his daughter and he refuses. Suzzanna starred in two more Snake Queen movies, Perkawinan Nyi Blorong (1983) and Petualangan Cinta Nyi Blorong / The Hungry Snake Woman (1986).
In Ratu Sakti Calon Arang , another film playing with the reputation of Bali for spiritual power, she uses a book of sutras to summon the daughter of Mt. Agung to grant her boons. She messes with black magic again, in the relatively easy to find, The Queen of Black Magic / Ratu Ilmu Hitam directed by Liliek Sudjio.
But as we have learned, black magic is never the solution to your problems. Like crack or crystal meth, it will destroy you in the end. If there were a 1980s Indonesian version of The Wire, set in Jakarta, Bandung or Bogor, the Major Case Squad would be investigating the black magic industry.
This is also your head on black magic. Any questions?
Finally, just to catch up to more recent--and probably respectable--Indonesian genre film, there are the films of Joko Anwar. Joko Anwar wrote Joni's Promise / Janji Joni, featuring Barry Prima's return to film. But he's probably better known in North American film circles for Dead Time: Kala / Kala
After seeing Iko Uwais display his tiger-style silat (pencak silat harimau) in Merantau, I'm really looking forward to seeing more silat action in Gareth Evans follow-up, The Raid, also starring Iko Uwais, and, hopefully featuring more from Yahan Ruhian, (Eric from Merantau,) and Team Silat Harimau.
In case you aren't so familiar with silat as a martial art, there are many, many regional styles ranging from the Malay Archipelago all the way through Bali, Lombok and East Timor. Traditionally, silat is a less intensive contact sport. In fact, silat masters have been known to have matches without even touching
In Merantau, Iko Uwais shows off the famous tiger style of the West Sumatra's Minangkabau people (Silat Harimau Minang). Merantau opens with Iko Uwais as Yuda, going through his moves with a small claw-like knife, a kerambit.
While the silat in Merantau has been choreographed for maximum entertainment (check the pedestrian overpass and elevator fights). There's a lot of acting involved in traditional demonstrations, including slitting a a fallen opponent's throat. For example, an excellent perang ("machete") fight in Malaysia:
And a kris battle where the krisses are sharp enough to stick in the floor.
And, as I said, there are many styles. A woman demonstrating Pencak Silat Jati Wisesa Gajah Putih, a white elephant style, in Western Java:
A master demonstrates a Balinese tiger style:
And here's a pretty sweet compilation video including silat in a tournament context:
And, finally, footage of Minangkabau silat (silek) from the 1930s:
